Maleficent, not so magnificent


Have you been anticipating to see “Maleficent” since you saw Angelina Jolie’s pictures as the character? I know I have. One look at her pale, chiseled face, the eyes that were as sharp as her cheekbones, red lips, and those horns– got me hooked instantly. After watching the movie, are you also one of those who felt somewhat disappointed at the movie itself? I know I am. This in spite of finding many reasons to like it.

the IMAX poster

the IMAX poster

Probably one of the reasons why I was disappointed with “Maleficent” was because I really loved the character from the animated Disney film. Looking at the character then, I had the feeling that she had an interesting back story, that her villainy had a profound reason.

Of course, Angelina Jolie is the sole reason for this movie’s being. And she embodies this importance as breezily as she did when she played Lara Croft. The trailer deliciously hinted at the playful malevolence of her character but for the duration of the movie, she was just reacting to a betrayal in a self-destructive way, much like the rest of us mere mortals when we have been spurned by our lovers. A big softie hiding inside that angular exterior. In short, the script turned her insecure and petty, which didn’t fit her character.

Princess Aurora (Elle Fanning) was kind of a bumbling princess, most probably taking after the bumbling pixies who raised her. Imelda Staunton, as the lead pixie Knotgrass, was wasted in her role. Emma Thompson and Dame Judi Dench, said to be considered for the role of the pixies, must be glad they stayed away. The three pixies were like female versions of the Three Stoogees. And I kept on thinking that Nova Villa, Debraliz, and Gretchen Barretto gave better performances as the fairies in the Sleeping Beauty segment of the trilogy “Mga Kuwento ni Lola Basyang” (1985).

Diaval (Sam Riley) had the best story arc in this film. At the onset, he was bound to Maleficent but he gradually evolved and became Maleficent’s conscience. Kind of like Jiminy Cricket to Pinocchio. Plus, he got to be a dragon. I was actually looking forward to Maleficent transforming into a dragon but she didn’t. Another disappointment for me.

“Maleficent” was directed by Robert Stromberg, a production designer who won Oscars for “Avatar” and “Alice in Wonderland”. This would probably explain why the movie’s visuals is a great delight. This I am glad to admit. Every frame of the movie is such a pleasure to look at because it’s so beautifully imagined and rendered to life. Even the ‘monsters’ are pretty in their own way. I could watch Angelina Jolie just roaming this environment for hours and I wouldn’t complain.

Of course, I’m kidding.

Another thing I liked about the movie is getting Lana Del Rey to sing the old theme. That was a cleverΒ call. Her rendition was perfect for the movie I imagined–dark and haunting.

Angelina Jolie said in an interview that she’s happy to have done a movie that she can watch with her children. And it’s true, children will be delighted to see this movie. In fact, one of her kids is IN the movie, as the toddler Aurora. I just wish they didn’t treat the adults who will watch this movie with the kids with disregard. The movie left me wishing for a less muddled directing, more interesting characters, and a more coherent plot that would rightfully engage me the viewer. I love Angelina Jolie, but she alone doesn’t a movie make.

Watch it; you might enjoy it. I know some of my friends who did. πŸ™‚

 

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About the pensive poet

development worker. kasuyo. bugtong na anak. retired drag queen. kalaguyo. kaibigan. future carpenter, bread-maker, or bar-tender. feeling manunulat at makata. borderline obsessive-compulsive. control freak. book worm. isnabero. mahiyain. astang cineaste. aspiring photographer.

Posted on June 7, 2014, in review and tagged , , , , , , , , , , , , , , , , . Bookmark the permalink. Leave a comment.

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